A Sweetheart In Reruns

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This work is art in progress.

I PORTRAY the incredible, completely unique and for everyone else almost impossible power of love that a mother possesses, I portray it by the mother having a tiger cub on her left side, while she has a lamb by her right arm.

SHE loves both equally, even though one eats the other. For the rest of us the equation doesn’t add up, but for the mother it is obvious.

The face in the work is cast directly on the face of Bond Woman Maud Adams. Maud herself saw no point in her taking up space like this in my work of art. But she still showed respect to the artist, that is, me! I have chosen Maud’s face to crown motherhood. Now it is the case that Maud is childless like me, and I don’t know if it is like mine, self-chosen. I have chosen Maud because of her beauty, which is as strong on the inside as on the outside, she is both humble and very strong – she would be a super mother, she is a very good role model.

Regarding children – children are the most wonderful thing there is – why I chose not to!
1: I have been 100 percent absorbed in the artistic process.
2: If I had met a man who was worthy of my trust, I definitely think I would have helped create a child.

There are still so many of us. I am so very happy that there are friends who have had children. I believe that we all have something to give, that we are needed, in all ways and forms.

I believe that maternal love is almost the highest form of love, both in the animal kingdom and among humans.

MOORE ABOUT PORTRAITS

I miss my mom so much. She was an amazing mother! Sometimes, when jsg doubted myself, she said: dear, you have your head in the clouds and your feet on the ground, you always land right! How beautiful isn’t that?!

I am the protector of my soul… and it will be art!

Betrayal

the Grooming – the Predator – the Elimination , al in one. I play both the seducer and the angry victim.

film 59 sec the short poetic film discription.

online meeting

Stockholm – MAXIM – in replay

NorénStockholm – 2022-11-16 – 19:00

Last Breath

life is brutal

I went to Stockholm – I went to Maxim, the theater, by myself. I absorbed everything! In hindsight I wish I had filmed more – unfortunately I didn’t – I was just filming with my eyes and head!

… no sleep that night!

I had an experience – that didn’t exist in my reality – it happened to me anyway … and it’s becoming art, right now actually!

One event causes chain reactions – many events have crashed in the foyer since then.

There are many ways to interpret life…

film 1.31 min

MAXIM – the theatre

film 1.31 min

STOCKHOLM – 2022-11-16 19:00

Norén – theater – “that’s how simple love is”… well, it’s not simple! … that’s for sure!

I had an experience… that didn’t exist in my reality… it happened to me anyway! It’s becoming art!

I went to Stockholm, went to the theatre Maxim… actually mainly to understand reality, which I had begun to doubt… would have filmed a lot more, but lost the desire due to internal circumstances. Anyway, it was a valuable experience, to be able to be part of the last performance – in reality… happy that I have seen the much loved theater Maxim, before it was shut down.

Loaded with new insights I went home… it was/is surreal. I’ve fallen out, beyond earth’s gravity!

OBS

If anyone wants to add this little film clip to their memories – the end of Maxim – it is now available for download!

Warm Greeting zeppa

😉

Persbrandt by Zeppa

NOTE!

this post is not about Mr Persbrandt – it refers to a phenomenon!

film 59 sec.

ARTIST IN RESIDENT

Pernilla Eskilsson

I had errands for the art gallery in Trollhättan – a work by me, ROOTS was part of Nature Remains&resident Carmen Olsson’s progress – inspiration took hold of me and I slipped into the other resident, Pernilla Eskilsson progress – Cloudy Wagon, I was enchanted and a film is ongoing.

This first part of the film is also in progress. the film is based on an observational, engaging and personal experience of Pernilla’s project.

teaser – 1 min

www.pernillaeskilsson.com


KONSTHALLEN

Gothenburg – Sweden

“VÅR HIMMEL RÖD

19 SEPTEMBER 2020 – 10 JANUARI 2021

“GESTALTAS ERFARENHETER SOM RYMMER ALLT FRÅN KÄRLEK OCH SYSTERSKAP TILL UTSATTHET OCH VÅLD.

MEDVERKANDE KONSTNÄRER ÄR: SARA-VIDE ERICSON, ROXY FARHAT, GABRIELLE GOLIATH, MOA ISRAELSSON OCH JOANNA PIOTROWSKA.”

[KONSTHALLEN]


I WENT TO SE THIS EXHIBITION

… and I had a very speciell experience!

This movie specifically describes my experience of Moa Israelsson´s cocoons !


MOA ISRAELSSON

“Moa Israelssons konstnärskap rör sig ofta i gränslandet mellan fiktion och verklighet, hennes skulpturer liknar föremål vi känner till, men är tillverkade av andra material och dimensioner än vi är vana vid.

Israelssons installation Go, Gone består av tio skulpturer i olika storlekar som hänger från taket. Skulpturerna är formade som stora sovsäckar, mjuka och till synes slitna av yttre åverkan. Stoppningen är synlig och materialet är fläckat, som om det legat ute under lång tid och bearbetats av tidens gång. De omsorgsfullt handsydda skulpturerna vittnar om en stilla vila. Tryggheten sömnen inger, men också sårbarheten. Tyget blir då ett försvar, ett lager mellan kroppen och världen som skyddar och värmer mot det som sker utanför. Verkets titel Go, Gone antyder att något gått förlorat och får sovsäckarna att likna tomma skal. Det enda som återstår är minnet av det som en gång funnits. Samtidigt inger den uppmanande titeln också ett hopp om att lämna förlusten bakom sig och gå vidare, att bli fri, och precis som puppan i en kokong förvandlas och pånyttfödas.

Materialvalet, silke och läder, förstärker känslan av skulpturerna som kokonger, skapade av naturen snarare än syntetiskt framställda av människan. Det är från just silkeskokongen som silkestråden utvinns. De två materialen silke och läder är båda organiska naturmaterial, men samtidigt varandras ytterligheter. Där det ena är ömtåligt och skirt, är det andra tåligt, slitstarkt och grovt. Kontrasten mellan materialen, det skira och mjuka, det grova och smutsiga, bidrar till en känsla av sällsamhet och förfrämligande: föremålen känns bekanta men samtidigt underliga.

Go, Gone, 2019-2020, 10 skulpturer, olika dimensioner, silke och läder.”

[KONSTHALLEN]