I am in a process – I am playing – I have found inner chambers, treasure chambers, with jewels. Three different faces in the work “PARADISE” are a kind of doorkeepers to these chambers.
Signed zeppa – in Papier-mâché – each pendant unique – decorated with 24 carat gold leaf – just glimpses of it so far.
2:
film 43 sec
EARINGS
name of this pare of earrings is
The second face represents the crown chakra, the light and playful, the spiritual, the crown of the soul.
It was a performance in its most ingenious expression…almost medieval.
Beatrice in VIGIL
Through her I portrayed the funeral both of an era and Queen Elisabeth
mixed technique of charcoal sketches that were later digitally assembled – it can become a work for print.
I did portray the death and the burial of Queen Elizabethan era
through Beatrice.
I kind of got “struck” by her – her grief went right through the window into my studio!
It touched me deeply that they were standing there for public viewing, with their claws – watched by prying eyes – but especially Beatrice. It was heartbreaking and in the same time pure and beautiful!
Beatrice went right through the screen, in to my studio. I was incredibly touched by her figure, her grief and her concentrated determination not to break down. To stand there and really just mourn her grandmother, while the church is filled with people mourning the passing of an era as.
Vulnerable and skinless – she held herself together, under an odd mourning garment. Maybe the garments served as protection – m
film 2. 27 min
mixed technique of charcoal sketches that were later digitally assembled – it can become a work for print.
I’m back at work after summer and other things. Linking back to the project “In the Glow of the Dragon”, which has been renamed TRUST – in which this painting that I describe in the clip – TRUST – is included.
I was by post getting cut pieces off my paintings. It was extra heavy the day a package fell in containing a doll with dried out eyes, severed hands – what do you do with such things – I went to a priest, and asked if he could take care of it, just in case that something happened. It took 4 years to restore life, desire and happiness.
I became a kind of warrior – digital work mixed with sculpture
the impact it all had on my work
MY art – my visual world completely disappeared – somehow I eventually got everything out of the apartment I lived in – all the black, all the whips, skeletons, barbed wire and other things – I don’t remember how , but somehow it happened.
Thanks to my father, I had this apartment to both live and work in – as everything was gone, both work and clothes, I would find a new form to exist. I found a pair of military pants and a black leather jacket in a basement (can’t remember which one) – bought a pair of rough hiking shoes – and that became my outfit for 3 years – summer, autumn, winter and spring. It was tough – I love clothes, playing with the outside, make-up, poofing and puffing – but I put all that on the shelf – I became a kind of warrior. I got help in getting a little friend – a Yorkshire terrier – named Ida – She was probably sent from heaven, I actually think so… she opened the window to life & play again
In order to survive, I started teaching – art – at the community school.
self portrait : mixed media – a window right into my being for the moment – Cardboard glued to wood – chalk, charcoal, collage – 100 x 130 cm
For a couple of years it was just lines all over the walls, lines and more lines… I realized I was trying to understand the air around me – very primitive – very intuitive – extremely serious – I was struggling to regain my understanding of my existence.
AND SO IT HAPPENED!
A completely magical vibrating night, I gave birth to a visual language – I call this my image-letters!
These images are like molecules in my paintings … my paintings are based in structure on various combinations of these – it is a kind of DNA code that has become visible.
1991
I was asked to make an interior design and one of the picture-letters developed and became the center of the entire interior design work – it’s a bit fun to show it here in this context
The Core
This became the core of my work – art and interior design at Evas Paley – 1991 – avenue/Gothenburg of my work
1994
And the picture-letter continued – it became a collection that I call the Linné group – all with, just for this picture designed frame gold leaf – with logo.